There is no Scripture story better known than that of Naaman, the Syrian. It is memorable not only because artistically told, but because it is so full of human feeling and rapid incident, and so fertile in significant ideas. The little maid, w... Read more of NAAMAN CURED. at Difficult.caInformational Site Network Informational
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The Great Scale
Nasal Nasal Singing
Resonant Consonants
The Head Voice
The Vowel-sound _ah_
The Cure
Practical Exercises
My Title To Write On The Art Of Song
The Tongue
Singing Covered


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Preparation For Singing
Development And Equalization
The Highest Head Tones
The Sensations Of The Palate
White Voices
Concerning Expression
Extension Of The Compass And Equalization Of Registers
The Position Of The Mouth (contraction Of The Muscles Of Speech)
Before The Public
Italian And German


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Development And Equalization
Before The Public
Of The Breath
The Attack
The Sensations Of The Palate
Preparation For Singing
The Great Scale
Extension Of The Compass And Equalization Of Registers
Velocity
The Cure



The Lips





Of special importance for the tone and the word are the movements of
the lips, which are so widely different in the bright and in the dark
vowels. These movements cannot be too much exaggerated in practising.
The same strength and elasticity to which we have to train the muscles
of the throat and tongue must be imparted to the lips, which must be
as of iron. Upon their cooeperation much of the life of the tone
depends, and it can be used in many shadings, as soon as one is able
to exert their power consciously and under the control of the will.

Every vowel, every word, every tone, can be colored as by magic in all
sorts of ways by the well-controlled play of the lips; can, as it
were, be imbued with life, as the lips open or close more or less in
different positions. The lips are the final cup-shaped resonators
through which the tone has to pass. They can retard it or let it
escape, can color it bright or dark, and exert a ceaseless and ever
varying influence upon it long before it ceases and up to its very
end.

No attempt should be made to use the play of the lips until complete
mastery of the absolutely even, perfect tone, and of the muscular
powers, has been acquired. The effect must be produced as a result of
power and practice; and should not be practised as an effect per
se.





Next: The Vowel-sound _ah_

Previous: Connection Of Vowels



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