"Oh Father," said a little Frog to the big one sitting by the side of a pool, "I have seen such a terrible monster! It was as big as a mountain, with horns on its head, and a long tail, and it had hoofs divided in two." "Tush, child, tush... Read more of The Frog and the Ox at Children Stories.caInformational Site Network Informational.ca
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The Great Scale
Nasal Nasal Singing
The Head Voice
The Vowel-sound _ah_
Practical Exercises
Resonant Consonants
The Cure
Singing Covered
The Lips
Connection Of Vowels


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Velocity
Concerning Expression
The Tremolo
Theodor Wachtel
In Conclusion
The Singer's Physiological Studies
The Tongue
The Sensations Of The Palate
White Voices
Equalizing The Voice; Breath; Form


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Auxiliary Vowels
Extension Of The Compass And Equalization Of Registers
Before The Public
Nasal Nasal Singing
White Voices
The Position Of The Mouth (contraction Of The Muscles Of Speech)
Singing Toward The Nose Head Voice
Of The Breath And Whirling Currents
The Great Scale
Trill



The Lips





Of special importance for the tone and the word are the movements of
the lips, which are so widely different in the bright and in the dark
vowels. These movements cannot be too much exaggerated in practising.
The same strength and elasticity to which we have to train the muscles
of the throat and tongue must be imparted to the lips, which must be
as of iron. Upon their cooeperation much of the life of the tone
depends, and it can be used in many shadings, as soon as one is able
to exert their power consciously and under the control of the will.

Every vowel, every word, every tone, can be colored as by magic in all
sorts of ways by the well-controlled play of the lips; can, as it
were, be imbued with life, as the lips open or close more or less in
different positions. The lips are the final cup-shaped resonators
through which the tone has to pass. They can retard it or let it
escape, can color it bright or dark, and exert a ceaseless and ever
varying influence upon it long before it ceases and up to its very
end.

No attempt should be made to use the play of the lips until complete
mastery of the absolutely even, perfect tone, and of the muscular
powers, has been acquired. The effect must be produced as a result of
power and practice; and should not be practised as an effect per
se.





Next: The Vowel-sound _ah_
Previous: Connection Of Vowels


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