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The Double-period
Distinction Between Bipartite And Tripartite Forms
Lesson 4
Causes
The Sonatine Form
The Exposition
The Recapitulation
T The Second Rondo Form
The Third Rondo Form
The Necessity Of Form In Music


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The Exposition
The Recapitulation
Causes
Cadences In General
Inherent Irregularity
Modification Or Disguising Of The Cadence
Lesson 9
Exact Repetitions
Group Of Parts
Evolution


Random Music Lessons

Lesson 15
Lesson 10
Length Of The Regular Phrase
Modified Repetitions
Lesson 18
The Second Part
The Recapitulation
Lesson 13
Lesson 14
4 Mixture Of Characteristic Traits



2 Abbreviation Of The Regular Form





This consists chiefly in the
omission of the Principal theme after the Development (that is, in
beginning the Recapitulation with the Subordinate theme). Other
contractions, by omission of portions (Parts) of important thematic
members, during the Recapitulation, are also possible, but not so
common.

An illustration of the omitted Principal theme may be found in
Mendelssohn, Songs Without Words, No. 5:--

Principal Theme, period, extended (measures 1-11, dissolved into
Transition--18).

Subordinate Theme, phrase, repeated and extended (19-28). Codetta
(28-33). Double-bar.

Development (measures 34-58). Retransition (59-62).

Principal Theme--omitted.

Subordinate Theme, as before (63-76). Codetta.





Next: 3 Dislocation Of Thematic Members

Previous: 1 Augmentation Of The Regular Form



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