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The Double-period
Distinction Between Bipartite And Tripartite Forms
Lesson 4
Causes
The Sonatine Form
The Exposition
The Recapitulation
T The Second Rondo Form
The Necessity Of Form In Music
The Melodic Figure
Least Viewed
The Exposition
The Recapitulation
Causes
Repetition Of The Parts
Modified Repetitions
Exceptions
Lesson 8
Time
Preliminary Tones
Modification Or Disguising Of The Cadence
Random Music Lessons
The Exposition
Lesson 14
The Rondo-forms
Perfect Cadence
The Period
Rhythm
Preliminary Tones
Lesson 4
Part Ii
Relation To The Three-part Song-form
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2 Abbreviation Of The Regular Form
This consists chiefly in the
omission of the Principal theme after the Development (that is, in
beginning the Recapitulation with the Subordinate theme). Other
contractions, by omission of portions (Parts) of important thematic
members, during the Recapitulation, are also possible, but not so
common.
An illustration of the omitted Principal theme may be found in
Mendelssohn, Songs Without Words, No. 5:--
Principal Theme, period, extended (measures 1-11, dissolved into
Transition--18).
Subordinate Theme, phrase, repeated and extended (19-28). Codetta
(28-33). Double-bar.
Development (measures 34-58). Retransition (59-62).
Principal Theme--omitted.
Subordinate Theme, as before (63-76). Codetta.
Next: 3 Dislocation Of Thematic Members
Previous: 1 Augmentation Of The Regular Form
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