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The Double-period
Distinction Between Bipartite And Tripartite Forms
Lesson 4
Causes
The Sonatine Form
The Exposition
The Recapitulation
T The Second Rondo Form
The Third Rondo Form
The Necessity Of Form In Music


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The Exposition
The Recapitulation
Causes
The Sonata-allegro Form
1 Augmentation Of The Regular Form
4 Mixture Of Characteristic Traits
Cadences In General
Lesson 12
Application Of The Forms
Length Of The Regular Phrase


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The Exposition
Afterword
Tempo
The Double-period
Cadences In General
The Parts
Lesson 16
Repetition Of The Parts
The First Rondo-form
Lesson 14



2 Abbreviation Of The Regular Form





This consists chiefly in the
omission of the Principal theme after the Development (that is, in
beginning the Recapitulation with the Subordinate theme). Other
contractions, by omission of portions (Parts) of important thematic
members, during the Recapitulation, are also possible, but not so
common.

An illustration of the omitted Principal theme may be found in
Mendelssohn, Songs Without Words, No. 5:--

Principal Theme, period, extended (measures 1-11, dissolved into
Transition--18).

Subordinate Theme, phrase, repeated and extended (19-28). Codetta
(28-33). Double-bar.

Development (measures 34-58). Retransition (59-62).

Principal Theme--omitted.

Subordinate Theme, as before (63-76). Codetta.





Next: 3 Dislocation Of Thematic Members

Previous: 1 Augmentation Of The Regular Form



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