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The Double-period
Distinction Between Bipartite And Tripartite Forms
Lesson 4
Causes
The Sonatine Form
The Exposition
The Recapitulation
T The Second Rondo Form
The Third Rondo Form
The Necessity Of Form In Music


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The Exposition
The Recapitulation
Causes
1 Augmentation Of The Regular Form
The Small And Large Phrases
Part I
Exact Repetitions
Evolution
Origin Of The Name
Relation To The Three-part Song-form


Random Music Lessons

Length Of The Regular Phrase
Exact Repetitions
Locating The Cadences
Origin Of The Name
The Five-part Form
The Melodic Motive Or Phrase-member
Part Ii
The Small And Large Phrases
The Necessity Of Form In Music
Inherent Irregularity



2 Abbreviation Of The Regular Form





This consists chiefly in the
omission of the Principal theme after the Development (that is, in
beginning the Recapitulation with the Subordinate theme). Other
contractions, by omission of portions (Parts) of important thematic
members, during the Recapitulation, are also possible, but not so
common.

An illustration of the omitted Principal theme may be found in
Mendelssohn, Songs Without Words, No. 5:--

Principal Theme, period, extended (measures 1-11, dissolved into
Transition--18).

Subordinate Theme, phrase, repeated and extended (19-28). Codetta
(28-33). Double-bar.

Development (measures 34-58). Retransition (59-62).

Principal Theme--omitted.

Subordinate Theme, as before (63-76). Codetta.





Next: 3 Dislocation Of Thematic Members

Previous: 1 Augmentation Of The Regular Form



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