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The Double-period
Distinction Between Bipartite And Tripartite Forms
Lesson 4
Causes
The Sonatine Form
The Exposition
The Recapitulation
T The Second Rondo Form
The Necessity Of Form In Music
The Melodic Figure


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The Exposition
The Recapitulation
Causes
Repetition Of The Parts
The Principal Song
Exact Repetitions
The Sonata-allegro Form
2 Abbreviation Of The Regular Form
Tempo
Perfect Cadence


Random Music Lessons

Group Of Parts
Modification Or Disguising Of The Cadence
Relation To The Three-part Song-form
The Principle Of Extension
Classification Of The Larger Forms
Lesson 12
The Trio Or Subordinate Song
Inherent Irregularity
The Recapitulation
Causes



Origin Of The Name





The fully developed Sonata-allegro form is the
design in which the classic overture and the first movement of the
symphony, sonata and concerto are usually framed. The student must be
careful not to confound this musical form with the complete sonata of
three or four movements. It is not to be called the sonata form, but
the sonata-allegro form. It is to one movement only, generally the
first one, which is (or was) very commonly an allegro tempo in the
sonata and symphony, that the present design refers; and its name,
sonata-allegro, is derived from that old historic species of the sonata
which consisted originally of but one movement, generally an allegro.





Next: The Sonata-allegro Form

Previous: Lesson 16



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