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The Double-period
Distinction Between Bipartite And Tripartite Forms
Lesson 4
Causes
The Sonatine Form
The Exposition
The Recapitulation
T The Second Rondo Form
The Necessity Of Form In Music
The Third Rondo Form


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The Exposition
The Recapitulation
Causes
Classification Of The Larger Forms
Relation To The Three-part Song-form
Lesson 19
Contents Of The Phrase
Repetition Of The Parts
Species Of Cadence
The Principal Song


Random Music Lessons

Phrase-addition
The Double-period
4 Mixture Of Characteristic Traits
Time
Classification Of The Larger Forms
Afterword
Length Of The Regular Phrase
3 Dislocation Of Thematic Members
The Recapitulation
The Parts



Origin Of The Name





The fully developed Sonata-allegro form is the
design in which the classic overture and the first movement of the
symphony, sonata and concerto are usually framed. The student must be
careful not to confound this musical form with the complete sonata of
three or four movements. It is not to be called the sonata form, but
the sonata-allegro form. It is to one movement only, generally the
first one, which is (or was) very commonly an allegro tempo in the
sonata and symphony, that the present design refers; and its name,
sonata-allegro, is derived from that old historic species of the sonata
which consisted originally of but one movement, generally an allegro.





Next: The Sonata-allegro Form

Previous: Lesson 16



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