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The Double-period
Distinction Between Bipartite And Tripartite Forms
Lesson 4
Causes
The Sonatine Form
The Exposition
The Recapitulation
T The Second Rondo Form
The Necessity Of Form In Music
The Melodic Figure


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The Exposition
The Recapitulation
Causes
The Sonata-allegro Form
Exceptions
Lesson 11
The Principal Song
Lesson 13
Classification Of The Larger Forms
Lesson 16


Random Music Lessons

Lesson 4
The Recapitulation
The Melodic Figure
Preliminary Tones
Time
Melody
The Sonatine Form
Lesson 8
The Second Part
The Rondo-forms



The First Part





Part One may be designed as period, double-period, or
phrase-group; sometimes, though very rarely, as single phrase,
repeated. It ends, usually, with a strong perfect cadence on the tonic
chord of the original key, or of some related key (that is, one whose
signature closely resembles that of the original key). An
introductory phrase, or independent prelude, may precede it.





Next: The Second Part

Previous: The Parts



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