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The Double-period
Distinction Between Bipartite And Tripartite Forms
Lesson 4
Causes
The Sonatine Form
The Exposition
The Recapitulation
T The Second Rondo Form
The Necessity Of Form In Music
The Third Rondo Form


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The Exposition
The Recapitulation
Causes
The Principal Song
Lesson 16
2 Abbreviation Of The Regular Form
The Song-form Or The Part-form
The Rondo-forms
The Sonata-allegro Form
Length Of The Regular Phrase


Random Music Lessons

The Five-part Form
Part Ii
The Rondo-forms
The Small And Large Phrases
Time
Application Of The Forms
Rhythm
Contents Of The Phrase
Exceptions
Preliminary Tones



The First Part





Part One may be designed as period, double-period, or
phrase-group; sometimes, though very rarely, as single phrase,
repeated. It ends, usually, with a strong perfect cadence on the tonic
chord of the original key, or of some related key (that is, one whose
signature closely resembles that of the original key). An
introductory phrase, or independent prelude, may precede it.





Next: The Second Part

Previous: The Parts



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