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The Double-period
Distinction Between Bipartite And Tripartite Forms
Lesson 4
Causes
The Sonatine Form
The Exposition
The Recapitulation
T The Second Rondo Form
The Third Rondo Form
The Necessity Of Form In Music


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The Exposition
The Recapitulation
Causes
The Phrase
4 Mixture Of Characteristic Traits
The Principle Of Extension
Enlargement By Repetition
Origin Of The Name
Lesson 1
Inherent Irregularity


Random Music Lessons

Dissolution
The Sonata-allegro Form
Afterword
Length Of The Regular Phrase
Enlargement By Repetition
Causes
The Principal Song
The Exposition
Unity And Variety
Semicadence



The First Part





Part One may be designed as period, double-period, or
phrase-group; sometimes, though very rarely, as single phrase,
repeated. It ends, usually, with a strong perfect cadence on the tonic
chord of the original key, or of some related key (that is, one whose
signature closely resembles that of the original key). An
introductory phrase, or independent prelude, may precede it.





Next: The Second Part

Previous: The Parts



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