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The Double-period
Distinction Between Bipartite And Tripartite Forms
Lesson 4
Causes
The Sonatine Form
The Exposition
The Recapitulation
T The Second Rondo Form
The Necessity Of Form In Music
The Melodic Figure


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The Exposition
The Recapitulation
Causes
Exact Repetitions
Modification Or Disguising Of The Cadence
Repetition Of The Parts
Modified Repetitions
Lesson 16
The Sonata-allegro Form
Afterword


Random Music Lessons

The Recapitulation
Part Ii
The Necessity Of Form In Music
The Parts
The Small And Large Phrases
Phrase-addition
Lesson 3
Melody
The Rondo-forms
The Double-period



The First Part





Part One may be designed as period, double-period, or
phrase-group; sometimes, though very rarely, as single phrase,
repeated. It ends, usually, with a strong perfect cadence on the tonic
chord of the original key, or of some related key (that is, one whose
signature closely resembles that of the original key). An
introductory phrase, or independent prelude, may precede it.





Next: The Second Part

Previous: The Parts



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