The Position Of The Mouth (contraction Of The Muscles Of Speech)
What must my sensations be with the muscles of speech? How shall I control them? The best position of the mouth, the means of securing the proper use of the muscles of speech and of the vocal organs, is established by pronouncing the vowel [=a]... The Sensation Of The Resonance Of The Head Cavities
The sensation of the resonance of the head cavities is perceived chiefly by those who are unaccustomed to using the head tones. The resonance against the occipital walls of the head cavities when the head tones are employed, at first causes a very... The Sensations Of The Palate
The sensations of the palate are best made clear to us by raising the softest part behind the nose. This part is situated very far back. Try touching it carefully with the finger. This little part is of immeasurable importance to the singer. By ra... The Singer's Physiological Studies
Science has explained all the processes of the vocal organs in their chief functions, and many methods of singing have been based upon physiology, physics, and phonetics. To a certain extent scientific explanations are absolutely necessary for the... The Tongue
Since it is the function of the tongue to conduct the column of breath above the larynx to the resonance chambers, too much attention cannot be given to it and its position, in speaking as well as in singing. If it lies too high or too low, it may... The Tremolo
Big voices, produced by large, strong organs, through which the breath can flow in a broad, powerful stream, are easily disposed to suffer from the tremolo, because the outflow of the breath against the vocal cords occurs too immediately. The brea... The Vowel-sound _ah_
There is much discussion as to whether ah, oo, or some other vowel is the one best adapted for general practice. In former times practice was entirely on the vowel-sound ah. The old Italians taught it; my mother was trained so, and never allowed h... Theodor Wachtel
The most perfect singer that I remember in my Berlin experience was Theodor Wachtel in this respect, that with his voice of rare splendor, he united all that vocal art which, as it seems, is destined quite to disappear from among us. How beautiful... Trill
There still remains the trill, which is best practised in the beginning as follows:-- The breath is led very far back against the head cavities by the [=a], the larynx kept as stiff as possible and placed high. Both tones are connected as clo... Velocity
Singers, male and female, who are lacking velocity and the power of trilling, seem to me like horses without tails. Both of these things belong to the art of song, and are inseparable from it. It is a matter of indifference whether the singer has ... White Voices
There are also singers, male and female, who use too much head tone through their entire compass; such voices are called white. Their use of the palatal resonance being insufficient, they are not able to make a deeper impression, because their pow...

The Great Scale Nasal Nasal Singing Resonant Consonants The Head Voice The Vowel-sound _ah_ The Cure Practical Exercises Singing Covered

Preparation For Singing The Sensations Of The Palate The Highest Head Tones The Position Of The Mouth (contraction Of The Muscles Of Speech) Development And Equalization Extension Of The Compass And Equalization Of Registers Concerning Expression The Sensation Of The Resonance Of The Head Cavities