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The Double-period
Distinction Between Bipartite And Tripartite Forms
Lesson 4
Causes
The Sonatine Form
The Exposition
The Recapitulation
T The Second Rondo Form
The Necessity Of Form In Music
The Melodic Figure


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The Exposition
The Recapitulation
Causes
The Sonata-allegro Form
Exceptions
Phrase-addition
Lesson 11
The Principal Song
Lesson 12
Lesson 13


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Beats
Length Of The Regular Phrase
Exceptions
The Third Rondo Form
The Sonata-allegro Form
The Exposition
Contents Of The Phrase
Exact Repetitions
Lesson 9
Causes



3 Dislocation Of Thematic Members





By this is meant, any exchange or
alteration of the regular and expected arrangement of members. This
can refer, naturally, only to what occurs after the Exposition,--that
is, during the Recapitulation; for it is the Exposition which
determines the plan, and regular order, of the thematic members. For
example, Mozart, pianoforte sonata. No. 13, first movement:--

Principal Theme, with Transition (measures 1-27).

Subordinate Theme (28-41).

Codetta I (42-53).

Codetta II (54-58). In the Recapitulation, the arrangement is thus:--

Principal Theme, Codetta I, Subordinate Theme, Codetta II; that is,
the first codetta appears before, instead of after, the Subordinate
theme.





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