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The Double-period
Distinction Between Bipartite And Tripartite Forms
Lesson 4
Causes
The Sonatine Form
The Exposition
The Recapitulation
T The Second Rondo Form
The Third Rondo Form
The Necessity Of Form In Music


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The Exposition
The Recapitulation
Causes
Cadences In General
Inherent Irregularity
Lesson 9
The Rondo-forms
Lesson 13
Relation To The Three-part Song-form
Exceptions


Random Music Lessons

The First Part
Preliminary Tones
The Small And Large Phrases
Semicadence
The Recapitulation
Enlargement By Repetition
The Rondo-forms
Application Of The Forms
Repetition Of The Parts
The Phrase



3 Dislocation Of Thematic Members





By this is meant, any exchange or
alteration of the regular and expected arrangement of members. This
can refer, naturally, only to what occurs after the Exposition,--that
is, during the Recapitulation; for it is the Exposition which
determines the plan, and regular order, of the thematic members. For
example, Mozart, pianoforte sonata. No. 13, first movement:--

Principal Theme, with Transition (measures 1-27).

Subordinate Theme (28-41).

Codetta I (42-53).

Codetta II (54-58). In the Recapitulation, the arrangement is thus:--

Principal Theme, Codetta I, Subordinate Theme, Codetta II; that is,
the first codetta appears before, instead of after, the Subordinate
theme.





Next: 4 Mixture Of Characteristic Traits

Previous: 2 Abbreviation Of The Regular Form



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