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The Double-period
Distinction Between Bipartite And Tripartite Forms
Lesson 4
Causes
The Sonatine Form
The Exposition
The Recapitulation
T The Second Rondo Form
The Third Rondo Form
The Necessity Of Form In Music


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The Exposition
The Recapitulation
Causes
The First Rondo-form
Lesson 13
Relation To The Three-part Song-form
2 Abbreviation Of The Regular Form
4 Mixture Of Characteristic Traits
Lesson 19
Afterword


Random Music Lessons

Origin Of The Name
Afterword
Evolution
The Second Part
Semicadence
Time
The Phrase-group
Lesson 11
The First Part
Exact Repetitions



3 Dislocation Of Thematic Members





By this is meant, any exchange or
alteration of the regular and expected arrangement of members. This
can refer, naturally, only to what occurs after the Exposition,--that
is, during the Recapitulation; for it is the Exposition which
determines the plan, and regular order, of the thematic members. For
example, Mozart, pianoforte sonata. No. 13, first movement:--

Principal Theme, with Transition (measures 1-27).

Subordinate Theme (28-41).

Codetta I (42-53).

Codetta II (54-58). In the Recapitulation, the arrangement is thus:--

Principal Theme, Codetta I, Subordinate Theme, Codetta II; that is,
the first codetta appears before, instead of after, the Subordinate
theme.





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Previous: 2 Abbreviation Of The Regular Form



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