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The Double-period
Distinction Between Bipartite And Tripartite Forms
Lesson 4
Causes
The Sonatine Form
The Exposition
The Recapitulation
T The Second Rondo Form
The Necessity Of Form In Music
The Melodic Figure


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The Exposition
The Recapitulation
Causes
Preliminary Tones
Length Of The Regular Phrase
Exceptions
Modification Or Disguising Of The Cadence
Perfect Cadence
Locating The Cadences
Lesson 8


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The Recapitulation
Classification Of The Larger Forms
The Melodic Figure
The Trio Or Subordinate Song
Exact Repetitions
The First Part
Causes
Causes
The Development Or Middle Division
4 Mixture Of Characteristic Traits



3 Dislocation Of Thematic Members





By this is meant, any exchange or
alteration of the regular and expected arrangement of members. This
can refer, naturally, only to what occurs after the Exposition,--that
is, during the Recapitulation; for it is the Exposition which
determines the plan, and regular order, of the thematic members. For
example, Mozart, pianoforte sonata. No. 13, first movement:--

Principal Theme, with Transition (measures 1-27).

Subordinate Theme (28-41).

Codetta I (42-53).

Codetta II (54-58). In the Recapitulation, the arrangement is thus:--

Principal Theme, Codetta I, Subordinate Theme, Codetta II; that is,
the first codetta appears before, instead of after, the Subordinate
theme.





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Previous: 2 Abbreviation Of The Regular Form



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