The first requisite of style is choice of words, and this comes under the head of Diction, the property of style which has reference to the words and phrases used in speaking and writing. The secret of literary skill from any standpoint consist... Read more of DICTION at Speaking Writing.comInformational Site Network Informational
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The Double-period
Distinction Between Bipartite And Tripartite Forms
Lesson 4
Causes
The Sonatine Form
The Exposition
The Recapitulation
T The Second Rondo Form
The Necessity Of Form In Music
The Third Rondo Form


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The Exposition
The Recapitulation
Causes
Classification Of The Larger Forms
Modified Repetitions
Lesson 14
Lesson 16
2 Abbreviation Of The Regular Form
Exceptions
Cadences In General


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The Sonatine Form
Enlargement By Repetition
Tempo
The Second Part
Beats
The First Rondo-form
The Parts
Species Of Cadence
Dissolution
Distinction Between Bipartite And Tripartite Forms



Afterword





The expression Musical Forms is often used, somewhat carelessly and
erroneously, with reference to Styles or Species of composition,
instead of to the structural design upon which the music is based. The
Barcarolle, Mazurka, ?tude, Anthem, and so forth, are styles
of composition, and not necessarily identified with any of the
structural designs we have been examining. Read, again, our
FOREWORD. The general conditions which enter into the distinctions of
style are enumerated in my Homophonic Forms, paragraph 97, which
the student is earnestly advised to read. As to the manifold styles
themselves, with which the present book is not directly concerned, the
student is referred to Ernst Pauer's Musical Forms, and to the music
dictionaries of Grove, Baker, Riemann, and other standard writers,
where a description of each style or species of composition may be
found.






Previous: Lesson 19



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