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The Double-period
Distinction Between Bipartite And Tripartite Forms
Lesson 4
Causes
The Sonatine Form
The Exposition
The Recapitulation
T The Second Rondo Form
The Third Rondo Form
The Necessity Of Form In Music


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The Exposition
The Recapitulation
Causes
Lesson 13
Relation To The Three-part Song-form
2 Abbreviation Of The Regular Form
4 Mixture Of Characteristic Traits
Lesson 19
Afterword
Exceptions


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3 Dislocation Of Thematic Members
The Small And Large Phrases
The Phrase
Lesson 15
The Development Or Middle Division
Length Of The Regular Phrase
Dissolution
Semicadence
Lesson 4
Melody



The Third Rondo Form





In this form of composition there are three digressions from the
Principal theme. But, in order to avert the excess of variety, so
imminent in a design of such length, the digressions are so planned
that the third one corresponds to the first. That is, there are here
again only two Subordinate themes (as in the Second Rondo-form), which
alternate with each other, so that the succession of thematic factors
is as follows: Principal Theme; 1st Subordinate Theme; Principal Theme;
2d Subordinate Theme; Principal Theme; 1st Subordinate Theme; Principal
Theme; and coda.

It will be observed that this arrangement is another confirmation and
embodiment of the Three-Part (tripartite) form, with its recurrence of
the first section, magnified into larger proportions than any examples
thus far seen. The three portions are called, Divisions. The first
is known as the Exposition, comprising the Principal Theme, First
Subordinate Theme, and recurrence of the Principal Theme; the second
division consists of the Second Subordinate Theme only; the Third
Division is the Recapitulation of the first Division.





Next: The Exposition

Previous: Lesson 14



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