Sing. Plural 1st person If I have been loved If we have been loved 2nd person If you have been loved If you have been loved 3rd person If he has been loved If they hav... Read more of PRESENT PERFECT TENSE at Speaking Writing.comInformational Site Network Informational
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The Double-period
Distinction Between Bipartite And Tripartite Forms
Lesson 4
Causes
The Sonatine Form
The Exposition
The Recapitulation
T The Second Rondo Form
The Necessity Of Form In Music
The Melodic Figure


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The Exposition
The Recapitulation
Causes
Lesson 1
Lesson 8
Lesson 11
The Principal Song
Lesson 13
Lesson 16
1 Augmentation Of The Regular Form


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The Second Part
Cadences In General
Lesson 12
Distinction Between Bipartite And Tripartite Forms
Unity And Variety
The Rondo-forms
Melody
Time
1 Augmentation Of The Regular Form
Lesson 4



Part Ii





The departure (more or less emphatic) from this leading
melodic statement. It is, for a time, probably an evident continuation
and development of the melodic theme embodied in the First Part; but it
does not end there; it exhibits a retrospective bent, and--when
thoroughly legitimate--its last few measures prepare for, and lead
into, the melodic member with which the piece began. Its form is
optional; but, as a rule, decisive cadence-impressions are avoided,
unless it be the composer's intention to close it with a perfect
cadence (upon any other than the principal tonic), and accomplish the
return to the beginning by means of a separate returning passage,
called the Re-transition.





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