In the year 1676, about the 13th or 14th of this Month October, in the Night, between one and two of the Clock, this _Jesch Claes_, a cripple, being in bed with her Husband, who was a Boatman, she was three times pulled by her Arm, with wh... Read more of The Miraculous Case Of Jesch Claes at Scary Stories.caInformational Site Network Informational
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The Double-period
Distinction Between Bipartite And Tripartite Forms
Lesson 4
Causes
The Sonatine Form
The Exposition
The Recapitulation
T The Second Rondo Form
The Third Rondo Form
The Necessity Of Form In Music


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The Exposition
The Recapitulation
Causes
The Trio Or Subordinate Song
The Development Or Middle Division
Relation To The Three-part Song-form
2 Abbreviation Of The Regular Form
Length Of The Regular Phrase
Cadences In General
The Small And Large Phrases


Random Music Lessons

Length Of The Regular Phrase
The Necessity Of Form In Music
Lesson 8
The Principle Of Extension
Lesson 12
Lesson 15
Lesson 10
Lesson 3
Part Iii
Beats



Part Ii





The departure (more or less emphatic) from this leading
melodic statement. It is, for a time, probably an evident continuation
and development of the melodic theme embodied in the First Part; but it
does not end there; it exhibits a retrospective bent, and--when
thoroughly legitimate--its last few measures prepare for, and lead
into, the melodic member with which the piece began. Its form is
optional; but, as a rule, decisive cadence-impressions are avoided,
unless it be the composer's intention to close it with a perfect
cadence (upon any other than the principal tonic), and accomplish the
return to the beginning by means of a separate returning passage,
called the Re-transition.





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