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The Double-period
Distinction Between Bipartite And Tripartite Forms
Lesson 4
Causes
The Sonatine Form
The Exposition
The Recapitulation
T The Second Rondo Form
The Necessity Of Form In Music
The Melodic Figure


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The Exposition
The Recapitulation
Causes
Exceptions
The First Part
The Sonata-allegro Form
Locating The Cadences
Repetition Of The Parts
Lesson 12
Lesson 2


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Modification Or Disguising Of The Cadence
Lesson 16
Measures
Inherent Irregularity
The Second Part
Exceptions
Preliminary Tones
Perfect Cadence
Lesson 19
1 Augmentation Of The Regular Form



Lesson 4





Procure the Jugend Album, op. 68, of Schumann, and mark
the phrases in Nos. 1, 2, 4, 5, 6, 7, 8, 9, 13, 18, 20, and others. In
the given numbers the phrases are all regular,--four measures in length.

Analyze in the same manner Mendelssohn's Songs Without Words, Nos. 27,
22 (first phrase, five measures), 48, 28, 35, and others; occasional
irregularities may be encountered.

Also Beethoven, pianoforte sonata; op. 14, No. 2, second movement (C
major, andante); and op. 26, first movement.

A few cautious experiments may also be made in analyzing any
composition which the student may chance to be studying, especially if
not too elaborate. The necessary safeguard consists in simply passing
over every confusing point, limiting the analysis to those phrases that
are self defining, for the present,--until greater experience and
fuller information shall have been gained.





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