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The Double-period
Distinction Between Bipartite And Tripartite Forms
Lesson 4
Causes
The Sonatine Form
The Exposition
The Recapitulation
T The Second Rondo Form
The Necessity Of Form In Music
The Third Rondo Form


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The Exposition
The Recapitulation
Causes
Length Of The Regular Phrase
Locating The Cadences
Inherent Irregularity
Repetition Of The Parts
4 Mixture Of Characteristic Traits
Exceptions
Exact Repetitions


Random Music Lessons

Locating The Cadences
Group Of Parts
The Rondo-forms
The Phrase-group
The Development Or Middle Division
The Exposition
Lesson 1
Lesson 14
Lesson 3
Modification Or Disguising Of The Cadence



Lesson 4





Procure the Jugend Album, op. 68, of Schumann, and mark
the phrases in Nos. 1, 2, 4, 5, 6, 7, 8, 9, 13, 18, 20, and others. In
the given numbers the phrases are all regular,--four measures in length.

Analyze in the same manner Mendelssohn's Songs Without Words, Nos. 27,
22 (first phrase, five measures), 48, 28, 35, and others; occasional
irregularities may be encountered.

Also Beethoven, pianoforte sonata; op. 14, No. 2, second movement (C
major, andante); and op. 26, first movement.

A few cautious experiments may also be made in analyzing any
composition which the student may chance to be studying, especially if
not too elaborate. The necessary safeguard consists in simply passing
over every confusing point, limiting the analysis to those phrases that
are self defining, for the present,--until greater experience and
fuller information shall have been gained.





Next: Cadences In General

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