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The Double-period
Distinction Between Bipartite And Tripartite Forms
Lesson 4
Causes
The Sonatine Form
The Exposition
The Recapitulation
T The Second Rondo Form
The Necessity Of Form In Music
The Third Rondo Form
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The Exposition
The Recapitulation
Causes
Classification Of The Larger Forms
Lesson 16
Exact Repetitions
2 Abbreviation Of The Regular Form
Lesson 3
Length Of The Regular Phrase
Lesson 8
Random Music Lessons
The Recapitulation
Causes
The First Rondo-form
Lesson 14
Melody
Causes
The Five-part Form
The Double-period
4 Mixture Of Characteristic Traits
Species Of Cadence
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Lesson 4
Procure the Jugend Album, op. 68, of Schumann, and mark
the phrases in Nos. 1, 2, 4, 5, 6, 7, 8, 9, 13, 18, 20, and others. In
the given numbers the phrases are all regular,--four measures in length.
Analyze in the same manner Mendelssohn's Songs Without Words, Nos. 27,
22 (first phrase, five measures), 48, 28, 35, and others; occasional
irregularities may be encountered.
Also Beethoven, pianoforte sonata; op. 14, No. 2, second movement (C
major, andante); and op. 26, first movement.
A few cautious experiments may also be made in analyzing any
composition which the student may chance to be studying, especially if
not too elaborate. The necessary safeguard consists in simply passing
over every confusing point, limiting the analysis to those phrases that
are self defining, for the present,--until greater experience and
fuller information shall have been gained.
Next: Cadences In General
Previous: Contents Of The Phrase
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